However, the idea – adopted by Raimi from its inclusion in filmmaker James Cameron’s treatment – went on to pave the way for the inclusion of organic webbing in future comic runs. The choice ultimately proved a controversial one with many long-time fans unhappy with the decision to rewrite Spider-Man lore – some believing it to discount Peter’s intelligence and innovation while others argued that it detracted from his vulnerability, hereby making him less accessible. RELATED: Spider-Man: Why Peter Parker Almost Quit Web-Slinging the FIRST Time Inheriting a spider’s ability to generate its own webbing was not only logically sound but favored Peter’s financial situation in which he struggled to pay rent, let alone procure the funds to replace his web cartridges at the required rate.
While Sam Raimi’s trilogy consisted of numerous deviations from the source material, arguably the main change that ruffled the most feathers was having Tobey Maguire’s Peter Parker develop organic web-shooters as a result of the genetically-engineered spider bite. However, a different kind of upgrade was later received as a result of its introduction in the 2002 blockbuster film, Spider-Man. For his mechanical web-shooters, such advances have included the likes of acid webbing, taser webbing, and voice command. With Peter Parker’s genius and ingenuity, it is no surprise that his inventions have undergone multiple developments over the years. The devices, which work by engaging a trigger attached to the palm to release the cartridge fluid, were later integrated into Spider-Man’s crime-fighting arsenal where they have remained an integral feature ever since. First appearing in Amazing Fantasy #15 by Stan Lee, Steve Ditko, Jack Kirby, Stan Goldberg and Artie Simek, the famous gadgets actually pre-date the hero himself, having originally been constructed to accommodate his newfound powers during a short-lived career as an amateur wrestler. One of the most easily recognizable parts of Spider-Man’s iconic look is his mechanical web-shooters.
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